"... when we had finished four tracks or so, the material was becoming
very visual. We kept on seeing visual elements popping up, such as a flowercanon
for Werchter to shoot flowers instead of confetti. The clips for the songs were
immediately materialised in front of our eyes. That's also why the album turned
out to be quite psychedelic"
"As far as producers go, the good ones come in very short supply
here in Belgium. You gan either go to Tom Barman, but he doesn't have time to
do it, or you can go to Raymond Van Het Groenewoud or Jean Blaute, but than it
turns out really bad"
"We're here 8 years already, have done a Japanese tour, that should
speak for itself. Hardcore in Belgium is alive and kicking and clearly
has a future, even if that's not so clear in the press."
"We didn't want to make an experimental CD as dEUS wanted to make.
We're not ready for that yet. We just want to make short pop songs that are really
appealing."
"Well when I don´t get the opportunity to gig because I don´t
have a new record, I just take my damn guitar and I go playing. I´m not
waiting for the business to say when I can sing, screw that!"
"In hindsight, perhaps it was a good thing we haven't won the Belgian
Eurosong-preselection, because it's so dangerous. But I'm sure Belgium will do
pretty good this year."
"It just isn't fair : we have to work like hell to get some volume
from our instruments, while others just crank up the volume-knob, use some distortion
and off they are."
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